Celebrating the arrival of spring with a sampling from ABC d’Art: Croquis d’Animaux et Lettres Ornées
, by Miarko (pseudonym of Edmond Bouchard), with pochoirs by Jean Saudé. This is an unusual collection of pochoir prints, published in Paris around 1920 in which the letters of the alphabet are embellished with dynamic predator-prey compositions. Click images for enlarged view.
-posted by Ariel B.
If you’ve been to the library recently, you may have seen our new exhibition called Pochoir: Art of the Stencil, which features books which were printed primarily in France in the 1920’s – 1930’s. Pochoir is a hand applied stencil technique used for color reproduction in book printing. Read more about the exhibit and pochoir process here. The exhibit will be on display through April 8th.
Of course, as anyone who has put together an exhibit knows, you sometimes have to make heartbreaking decisions about what to exclude. One of my personal favorites that didn’t make the cut is a 1944 Limited Editions Club copy of A Child’s Garden of Verses, by Robert Louis Stevenson. This edition was illustrated in pen and ink by Roger Duvoisin and “colored by hand at the studio of Charlize Brakely” (~colophon). Duvoisin is best known for his series of “Petunia”, “Veronica” and “Happy Lion” books. He was born in Geneva, Switzerland, and worked in textiles in Paris and the U.S. as a young man. He began illustrating children’s books some time after the silk production firm he worked for went bankrupt in the Great Depression, and went on to have a long, prolific illustration career. I especially love the combination of Duvoisin’s lively pen and ink drawings with the gorgeous candy-colored pochoir stenciling used here. These digital images hardly do justice to the real thing, which is a reminder of why books with pochoir printing are special.
-posted by Ariel Bordeaux
from Suggestions by E.A. Seguy
endpaper illustration by Roger Duvoisin
detail of Roger Duvoisin endpapers illustration